Entries in AIGA SC (5)

Friday
19Jun2009

TypeTrust offers the REM Collection

TypeTrust is offering a family of fonts designed by Chris Bilheimer and Micheal Stipe for REM albums and tour materials. The REM Collection consists of three typefaces: Accelerate, Orange and Tourfont. They are available for $15 each or $30 for the entire Collection. I love the fact that they’ve released these formerly project specific fonts.

Chris Bilheimer spoke at AIGA South Carolina in March of 2007. He’s a great guy and amazingingly talented. Although the bulk of his work is for REM, he also works with bands like Green Day and Weezer.

Read all about them and see examples over at TypeTrust.

(And thanks to Marius at Zoo Valdes for bringing this to my attention…)

Tuesday
05May2009

Quick reflections on the AIGA South Carolina's Web Design Panel

I had the privilege of moderating the AIGA South Carolina Web Panel discussion a few weeks ago. The panel featured a number of local web designers and developers - Gene Crawford and Jay Berry from Period Three; Matthew Smith from Squared Eye; Jason Beaird, Greg Lunn and Ken Seals from Cyberwoven; and AIGA SC Vice President and hired gun James Miller.

We had a really fascinating discussion about trends in web design and how web designers work. A few quick reflections:

Continuing education. The web is constantly changing. And for web designers, that means that they need to keep up with the most current techniques and methods. Most use internet resources to keep up with new concepts and the web design industry has essentially created a virtual cooperative to share information online.

Personally, I think this commitment to continued learning and sharing is one of the most fascinating parts of the web development community. I feel like the online print design resources are focused mainly on inspiration. The web community has managed to merge the inspiration element with technical knowledge and information on best practices. There really seems to be a dedication to improving the quality of the industry as a whole.

Side projects. Pretty much everyone on the panel has a side project. Matthew has Pattern Tap. Gene and Jay have Unmatched Style. Jason has Publix for Pennies. As I look around at other established web professionals, they all seem to have developed side projects as well. The goals for these side projects are very rarely profit. These projects are essentially client-less projects that allow for exploration and experimentation. A chance to use the skills that you have learned to contribute back to the community in some way.

(Honestly, we really don’t have an equivalent to these side projects in the print design world. The printing process is so expensive, you really need to have some sort of client to foot the production bill… Our closest parallel is probably working pro bono.)

IE6 sucks. Really, if you are still using Internet Explorer 6, upgrade now. Firefox and Safari are fine options. And free…

Client relationships. In the print world, client relationships are often simple transactional affairs. There is a project beginning and a project end - usually resulting in a deliverable of some sort. In the web world, you have to find a way to deal with the ongoing maintenance of the site and other issues like hosting and email. With web work especially, a good contract is vitally important.

The panelists were going to pool a number of resources and publish them online. I’ll link to them as soon as the list goes live.

Sunday
30Nov2008

Inside InShow

When I was looking through pictures for my post on the InShow cube, I ran across a shot I had taken before judging with my iPhone. This is only a portion of the entries. So many incredible entries…

Set up for InShow judging at George Fulton Studios

Saturday
29Nov2008

To build an InShow Cube

InShow is AIGA South Carolina’s annual design competition. While most design competitions have plaques, statuettes, acrylic blocks and other mass-produced awards, InShow has the “cube.”

Every year, the cube is manufactured from a different material. It’s been aluminum, concrete, cardboard, acrylic, ceramic and wood and is always roughly 5 inches.

 The final prototype for the 2008 InShow Cube.

This year’s cube

The cube for the 14th Annual InShow was manufactured out of electrical boxes and carriage bolts.

I actually built the prototype for this year’s show as a backup for last year. The wood cubes had been shipped, but there was a slight possibility they would not arrive in time for the Gala. So I went to Home Depot and assembled a quick prototype from off the shelf parts. Something we could assemble quickly if the wood awards did not arrive.

However, the wood cubes did arrive in time, so the electrical box prototype was saved for the 2008 show.

Original prototype with duct tape hiding gap in the center and black labeling.

The challenge of the custom award

I was at least partially involved with the last five cubes: cardboard, acrylic, ceramic, wood and now electrical box cubes. And I’ve learned a lot from the process. There are several specific challenges to building a custom award.

Find a material. For the InShow cube, we use a new material every year. And every year, we go through a bunch of concepts and ideas. The cube needs to have a certain aesthetic value - after all it is an award - so the material needs to look nice when completed. And budget is an issue, too. An expensive material or process can completely throw the budget off.

The parts for the electrical box cubes came off the shelf from local hardware stores. We debated a few finishing options - like using duct tape to hide the gap between the boxes or some different combinations of parts. But in the end, we went with the cleanest execution of the concept.

The last five InShow cube prototypes.

Now make 60. It’s one thing to make a prototype. It’s another thing entirely to make 60 awards. Whatever concept you settle on has to scale. Building 60 cubes can be a massive undertaking, especially if you don’t think it through completely. Part of the design process is figuring out the most efficient way to build a larger quantity.

However, 60 is also too small of a number to be efficiently produced using a large-scale manufacturing process. So much of the work is done by hand.

The only scale related issue with the electrical box cube was finding enough electrical boxes. This is not a commonly used box size and is not stocked in large quantities. And with 2 boxes per cube, we were looking for 120 boxes. I had to buy all the stock at three different hardware stores to find enough boxes.

Whose award is it? The hardest and most time consuming part of building a custom award is personalization. The award has the name of the winning firm and title of entry. We also have a handful of judge’s awards that need to look a little different than the regular award.

I used a Dymo 3-D label maker to put the names on the awards. On the prototype, I used black labels and spray painted a black InShow logo. I wanted the label to look more intentional and so I experimented with different combinations. I finally settled on silver labels - which meant I had to spray paint the completed labels. I was a little more time consuming, but I felt the more subtle effect from silver labels on the silver box was worth the extra effort.

I changed the color of the InShow logo from black to dark gray (although most people still thinks it looks black). The special judges awards sported magenta logos - an accent color we picked up from the Call for Entries mailer.

Four prototype faceplates for the awards.

So what’s next?

I have no idea.* Lots of concepts have been thrown around, and every year, it becomes that much harder to find another concept. But inevitably, someone will come up with a material and an execution that will work.

* Okay, I have a few ideas. And even a few more prototypes…

 

Tuesday
05Feb2008

Portfolio Review Poster

So here are the posters I created for AIGA South Carolina’s Porfolio review. Illustrations by Marius Valdes.

We wanted a before/after look that included both the illustration and the type.

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Before
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After